“Delfs' sense of line and phrase made it genuinely inspiring”
The Straits Times
Representation: General Management
Andreas Delfs, former Music Director of the Milwaukee Symphony Orchestra, the Saint Paul Chamber Orchestra and Staatstheater Hannover, keeps an active guest conducting schedule, including Tonkünstler-Orchester Wien, RTÉ National Symphony Orchestra, Palm Beach Opera, Copenhagen Philharmonic, NCPA Orchestra China, NHK Symphony Orchestra Tokyo, Hong Kong Philharmonic Orchestra, Staatsorchester Rheinische Philharmonie, the Phoenix and Alabama Symphonies and National Symphony Orchestra Washington. Among Andreas Delfs’ most notable operatic achievements have been a production of the uncut version of Hans Werner Henze’s monumental König Hirsch for the Württemberg State Theatre and a highly acclaimed production of Ariadne auf Naxos with Washington National Opera.
Andreas Delfs has held chief artistic posts with several orchestras both in North America and Europe. Music Director (1996-2009) and Conductor Laureate (2009-2015) of the Milwaukee Symphony Orchestra Andreas Delfs was instrumental in the orchestra’s rise to national prominence. He has also led the Saint Paul Chamber Orchestra as Music Director (2001-2004) and Artistic Consultant (2004 -2006). He served as General Music Director of Hannover, Germany (1995-2000), conducting the symphony orchestra and opera company. Prior to his time in Hannover, Andreas Delfs was Music Director of the Bern Opera, resident conductor of the Pittsburgh Symphony (during the tenure of Lorin Maazel) and Music Director, at an early age, of the Orchestre Suisse des Jeunes.
Born in Flensburg, Germany, Andreas Delfs began studying piano and music theory at age 5. He studied with Christoph von Dohnányi and Aldo Ceccato at the Hamburg Conservatory. At 20 Andreas Delfs became the youngest ever Music Director of the Hamburg University Orchestra and Musical Assistant at the Hamburg State Opera. Enrolling at The Juilliard School, Andreas Delfs studied with Jorge Mester and Sixten Ehrling and won the Bruno Walter Memorial Scholarship.
Andreas Delfs keeps an active guest conducting schedule. Recent highlights have included appearances with the Tonkünstler-Orchester Vienna, Aarhus Symphony Orchestra, RTÉ National Symphony Orchestra, Netherlands Radio Chamber Orchestra, Copenhagen Philharmonic, NCPA Orchestra Beijing, NHK Symphony Orchestra Tokyo, Hong Kong Philharmonic Orchestra, Singapore Symphony, Staatsorchester Rheinische Philharmonie, Calgary Philharmonic, the Phoenix and Alabama Symphonies and National Symphony Orchestra Washington. He conducted the Britten Sinfonia in a performance of Elijah at London’s Barbican Hall, and has led a number of new operatic productions, namely Turandot at Opera Lyra Ottawa, Carmen at Opera North and Ariadne auf Naxos at Palm Beach Opera.
Having conducted numerous world premieres Andreas Delfs has close links with many of today’s composers. He counts among his profound musical inspirations musicians such as John Corigliano, Philip Glass, Roberto Sierra and Hans Werner Henze. He has partnered many of the world’s most renowned solo artists, including Emanuel Ax, Joshua Bell, Yo Yo Ma and Renée Fleming.
Andreas Delfs’s more recent recording projects include Beethoven’s Violin Concerto in D with Susanne Hou and the London Symphony Orchestra, Robert Sierra’s Missa Latina with the Milwaukee Symphony Orchestra on the Naxos label and Beethoven Piano Concertos with the London Symphony Orchestra and pianist John O’Conor on the Telarc label. Other recording projects have included a collection of sacred songs with Renée Fleming for Decca, a production of Humperdinck’s Hansel and Gretel with the Milwaukee Symphony Orchestra for Avie, as well as a recording of Mozart’s Requiem, with the Saint Paul Chamber Orchestra.
Over the years Andreas Delfs has led numerous distinguished ensembles. He has conducted orchestras such as the Frankfurt Radio Symphony Orchestra, London Philharmonic, Leipzig Gewandhaus Orchestra, Tonhalle Orchestra of Zurich, Danish National Symphony Orchestra, Netherlands Philharmonic, Philadelphia Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Sydney Symphony and the Taipei Symphony Orchestra.
Among Andreas Delfs’ most notable operatic achievements have been his highly praised debut with the New York City Opera conducting performances of Carmen, a production of the uncut version of Hans Werner Henze’s monumental König Hirsch for the Württemberg State Theatre in Stuttgart and a highly acclaimed production of Ariadne auf Naxos with Washington National Opera. He led four productions at the Aspen Music Festival and gave the Swiss premiere of György Ligeti’s Le Grand Macabre, which received special praise from the composer.
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Beethoven’s Pastoral Symphony with Singapore Symphony Orchestra
“Inspirational. Invigorating speeds, vivid dynamics and glorious playing gave it distinction, but it was Delfs’ sense of line and phrase which made it genuinely inspiring. He moulded every phrase as it passed from one section of the orchestra to another into a gloriously flowing stream of unending melody. And there were moments when the depth of tone he drew from the orchestra sent a real frisson down the spine.” The Straits Times, May 2016