“One could scarcely imagine better casting of Mrs Grose than Anne-Marie Owens”
Representation: General Management
Anne-Marie Owens was born in South Shields and maintains strong links with North East England. She made her debut at Glyndebourne and then joined English National Opera. Her rich mezzo soprano voice has received an enthusiastic response from audiences throughout the world, and continues to do so, with repertoire that includes roles such as Brangane, Madame de Croissy, Mrs Sedley, The Countess in Pique Dame and Mrs Grosse. During her long career she has performed with many of the world’s great opera companies and orchestras.
Born in South Shields, Anne-Marie Owens studied at the Guildhall School of Music & Drama with Laura Sarti and at the National Opera Studio. She made her professional debut as Mistress Quickly Falstaff for Glyndebourne Touring Opera and then joined English National Opera in 1985, where her roles have included Anezka The Two Widows, High Priestess La Vestale, Marfa Khovanshchina, Jezibaba Rusalka and Judith Weir’s Blond Eckbert (also filmed for Channel 4).
As one of Britain’s leading mezzo-sopranos, Anne-Marie has performed for many of the world’s great opera companies, including the Royal Opera House Covent Garden, Glyndebourne, Scottish Opera, Welsh National Opera, Opera North, Opéra National de Paris, Théâtre Royale de La Monnaie, Opéra de Lausanne, New York City Opera, Santiago Opera, Arizona Opera, Santa Fe Opera, Lyric Opera of Chicago, Teatro Lirico di Cagliari, Opera di San Carlo, the Komische Oper, Berlin, Bayerische Staatsoper, Opera Australia and at the Hong Kong and Saito Kinen Festivals. Anne-Marie’s vast operatic repertoire has included Brangäne Tristan und Isolde, Amneris Aida, Azucena Il Trovatore, Venus Tannhäuser, Herodias Salome and Santuzza Cavalleria Rusticana. While maintaining many of these roles in her repertoire, further engagements have included Morozova in Tchaikovsky’s Opricnick in Cagliari, Madelon Andrea Chenier (Scottish Opera), Ragonde Le Comte Ory (Garsington Opera), Witch Hänsel und Gretel and Jezibaba Rusalka for Opera Australia, Opera North and Grange Park Opera, Herodias in Salome (Santa Fe Opera and Opera North), Marcellina Le Nozze di Figaro, Mistress Quickly Falstaff and Princess Clarissa Love for Three Oranges (Grange Park Opera), Mrs Grose Turn of the Screw (Glyndebourne on Tour), Azucena Il Trovatore (WNO), Auntie Peter Grimes in Naples, Mary Der Fliegende Holländer (London Lyric Opera), Fricka Das Rheingold and Die Walküre (Nederlandse Reisopera), Dame Hannah Ruddigore (Opera North), The Tsar’s Bride (ROH) and Judith Weir’s Miss Fortune for Bregenz Festival and Covent Garden.
Anne-Marie is also in much demand on the concert platform, where she regularly performs the works of Mahler, Vaughan Williams, Elgar and the choral works of Verdi, Handel, Mendelssohn, Mozart and Beethoven with such orchestras as the London Symphony Orchestra, Orchestra of the Age of Enlightenment, Detroit Symphony Orchestra, BBC Symphony Orchestra, City of Birmingham Symphony Orchestra, Royal Scottish National Orchestra, Orchestre Philharmonique de Liège, City of London Sinfonia and Bournemouth Symphony Orchestra. Performances in recent seasons have included Beethoven 9th Symphony (Royal Philharmonic Orchestra), Mahler 8th Symphony (Philharmonia/Lorin Maazel and in Porto), Rossini’s Stabat Mater at the Norfolk and Norwich Festival, Ravel’s Shéhérazade (Chandos Symphony) and Elijah with the English Chamber Choir.
Recent appearances include Mamma Lucia Cavalleria rusticana (WNO), Prioress Les Dialogues des Carmélites, Auntie Peter Grimes, The Countess Queen of Spades and Larina Eugene Onegin (Grange Park Opera), Mrs Herring Albert Herring (Théâtre du Capitole), Mrs Grose The Turn of the Screw (Vienna Konzerthaus, Théâtre du Capitole), Mrs Sedley Peter Grimes (Staatsoper Hamburg), Brangäne Tristan und Isolde (Nederlandse Reisopera), and Grandmother Buryjovka Jenufa (Scottish Opera). This season Anne-Marie returns to Opera North as La Frugola Il Tabarro.
Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to make sure you receive the most up to date version.
Email: Caroline Challis
Mascagni: CAVALLERIA RUSTICANA (Welsh National Opera)
“David Kempster [is] solid as Alfio, though for all-round excellence one must turn to Rebecca Afonwy-Jones’s butter-wouldn’t-melt Lola and Anne-Marie Owens’s fraught Mamma Lucia.” George Hall, The Stage (May 2016)
“The ample warmth of Anne-Marie Owens mezzo also made for a vivid Mamma Lucia” Rian Evans, Opera Magazine (August 2016)