‘He commands the stage with aristocratic ease … Mr Grosvenor makes you sigh with joy … A temperament rare in yesteryear, let alone now.’
David Allen, The New York Times
Representation: General Management
Winner of the Keyboard Final of the 2004 BBC Young Musician Competition at the age of eleven, Benjamin Grosvenor is now an internationally regarded pianist performing with esteemed conductors and orchestras across the world. A BBC New Generation Artist from 2010-2012 Benjamin has performed at the BBC Proms on a number of occasions and in 2015 starred at the Last Night. Exclusively signed to Decca Classics, the youngest British musician to do so, his recordings have received numerous awards and in October 2016 he was announced as the inaugural recipient of the Ronny and Lawrence Ackman Classical Piano Prize at the New York Philharmonic. Playing since the age of six, Benjamin graduated from the Royal Academy of Music in 2012 with the ‘Queen’s Commendation for Excellence’.
British pianist Benjamin Grosvenor is internationally recognized for his electrifying performances and insightful interpretations. His virtuosic command over the most strenuous technical complexities underpins the remarkable depth and understanding of his musicianship. Benjamin is renowned for his distinctive sound, described as ‘poetic and gently ironic, brilliant yet clear-minded, intelligent but not without humour, all translated through a beautifully clear and singing touch’ (The Independent), and making him one of the most sought-after young pianists in the world.
Benjamin first came to prominence as the outstanding winner of the Keyboard Final of the 2004 BBC Young Musician Competition at the age of eleven, and he was invited to perform with the BBC Symphony Orchestra at the First Night of the 2011 BBC Proms at just nineteen. Since then, he has become an internationally regarded pianist and was announced in 2016 as the inaugural recipient of The Ronnie and Lawrence Ackman Classical Piano Prize with the New York Philharmonic. As part of this he returns to New York in April 2018, performing Beethoven’s Piano Concerto No. 3 under the baton of Esa-Pekka Salonen as well as chamber music with members of the orchestra at the Tisch Center for the Arts at 92nd Street Y.
Recent and future highlights include engagements with the Boston Symphony, Finnish Radio Symphony Orchestra, Gürzenich-Orchestra Cologne, Cleveland, Gulbenkian and Hallé Orchestras, Leipzig Gewandhausorchester, Filarmonica della Scala, the London, Melbourne, San Francisco, Singapore, Tokyo, and Washington National Symphony Orchestras, and an appearance at the 2015 Last Night of the Proms with the BBC Symphony Orchestra under Marin Alsop. Among his major recital dates are Vienna Konzerthaus, Théâtre des Champs Elysées Paris, Muziekgebouw Amsterdam, Carnegie Hall New York, Konzerthaus Berlin, Barbican Centre London, Musashino Civic Cultural Hall Tokyo, the Lucerne and Gilmore Festivals, La Roque d’Antheron, the International Piano Series at the Southbank Centre as well as his first tour of South America.
Benjamin has worked with numerous esteemed conductors including Vladimir Ashkenazy, Jiří Bělohlávek, Andrey Boreyko, Semyon Bychkov, Riccardo Chailly, Charles Dutoit, Sir Mark Elder, Edward Gardner, Alan Gilbert, Vladimir Jurowski, Andrew Litton, Andrew Manze, Ludovic Morlot, Kent Nagano, Gianandrea Noseda, Sir Roger Norrington, François-Xavier Roth, Alexander Shelley, Thomas Søndergård, Nathalie Stutzmann, Gabor Takacs-Nagy and with Michael Tilson Thomas.
Benjamin enjoys incorporating chamber music collaborations into his schedule, including performances with the Escher, Elias and Endellion String Quartets, chamber ensembles of the Orchestre Symphonique de Montreal, the New York and Naples Philharmonic Orchestras, and at venues such as Paris’ Musée du Louvre and London’s Queen Elizabeth Hall. Since the 2015-16 season Benjamin has been invited to participate in the prestigious “Junge Wilde” series by Konzerthaus Dortmund, where over the course of three years he will perform on a number of occasions, including in June 2018 with violinist Hyeyoon Park.
In 2011 Benjamin signed to Decca Classics, becoming the youngest British musician ever to sign to the label, and the first British pianist to sign to the label in almost 60 years. Benjamin’s fourth CD on the label, Homages (2016), explores a number of works in which great composers pay tribute to their predecessors, including Busoni’s transcription of Bach’s great solo violin Chaconne, Franck’s Choral, Prelude and Fugue and Liszt’s tribute to Italian folk song, Venezia e Napoli. Awarded a Diapason d’Or, the disc was described by BBC Music Magazine as “showing off his fluid virtuosity, musical sensitivity and fearless approach” and named Instrumental Choice of the month.
During his sensational career to date, Benjamin has received Gramophone’s Young Artist of the Year and Instrumental Awards, a Classic Brits Critics’ Award, UK Critics’ Circle Award for Exceptional Young Talent and a Diapason d’Or Jeune Talent Award. He has been featured in two BBC television documentaries, BBC Breakfast and The Andrew Marr Show, as well as in CNN’s Human to Hero series. The youngest of five brothers, Benjamin began playing the piano aged 6. He studied at the Royal Academy of Music with Christopher Elton and Daniel-Ben Pienaar, where he graduated in 2012 with the ‘Queen’s Commendation for Excellence’ and in 2016 was awarded a Fellowship. Benjamin has been supported since 2013 by EFG International, the widely respected global private banking group.
Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to make sure you receive the most up to date version. Email: Tom Wood
“an absolutely stunning performance of Britten’s Piano Concerto by Benjamin Grosvenor, whose playing has now gained formidable authority. In this early work, with its clear echoes of Prokofiev and Shostakovich, one senses Britten beating his wings experimentally, and Grosvenor found exactly the right blend of fun, fury, and sweet seriousness. His articulation was crystalline, and his characterisation of each movement utterly convincing; a shame it wasn’t recorded.”
“the best moment in this year’s concert came when all were quite silent, listening open mouthed to a red-shirted student pianist make light of the dense tangle of notes into which Leopold Godowski saw fit to weave the melody of Saint-Saens’s Swan. Audience and orchestra alike consumed in rapt delight, and the cavernous Albert Hall seemed to shrink to the proportions of a private salon’
‘Grosvenor’s introverted virtuosity was an excellent fit with Saint-Saens, his account of the work full of fleeting rapture and dark charm, keeping good faith with a composer whose pacing can easily wrong-foot a less thoughtful performer”.
“Homages” explores a number of works in which great composers pay tribute to their predecessors including Mendelssohn, Bach-Busoni, Franck, Chopin and Liszt.
“Dances”, a dazzling display of solo works for piano from Bach to Boogie Woogie; via Chopin, Granados, Albeniz, Scriabin and the Blue Danube.
Rhapsody in Blue
Includes the Saint-Saens Piano Concerto No. 2 in G minor and The Swan (arr. Godowsky), as well as Gershwin’s Rhapsody in Blue and the Ravel Piano Concerto in G. With Benjamin Grosvenor (piano) and the Royal Liverpool Philharmonic Orchestra conducted by James Judd
Chopin, Liszt, Ravel
Includes Chopin Scherzos Nos. 1, 2, 3 and 4, Liszt “En reve, nocturne” and Ravel “Gaspard de la nuit” with Benjamin Grosvenor (piano)