British soprano Claire Booth has become internationally renowned both for her commitment to an extraordinary breadth of repertoire, and for the vitality and musicianship that she brings to the operatic stage and concert platform. In the 2015-16 season alone her diverse schedule has included Poulenc’s La Voix Humaine for WNO in conjunction with Cardiff’s Festival of The Voice, La Comtesse in Rossini’s Le Comte Ory with the Chelsea Opera Group, Haas’ Atthis in her latest collaboration with Netia Jones at the Royal Opera House, Luigi Rossi’s Oratorio per la Settimana Santa with Christian Curnyn, works by Wigglesworth and Knussen with the BBC Symphony Orchestra, Rosina in Welsh National Opera’s new production of Il Barbiere di Siviglia and Ravel chamber works with the Nash Ensemble at London’s Wigmore Hall.
Other operatic highlights include Elcia in Rossini’s Mose in Egitto and Pakati in Jonathan Harvey’s Wagner Dream (Welsh National Opera), the title role in Janacek’s Cunning Little Vixen (Garsington Opera), which met with widespread critical acclaim, Rosina in Il Barbiere di Siviglia and Dorinda in Handel’s Orlando (Scottish Opera) and Nora in Vaughan Williams’ Riders to the Sea (English National Opera).
Her numerous concert appearances have resulted in close associations with the BBCSO and Proms, the City of Birmingham Symphony Orchestra, Mahler Chamber Orchestra and Ensemble InterContemporain, the Aldeburgh and Holland Festivals and other recent debut appearances with the Berlin Deutsche Symphonie, Boston Symphony Orchestra and London Philharmonic Orchestra. For more than a decade she has collaborated with video director Netia Jones to produce a series of critically acclaimed productions. These include her performances of Kurtag’s Kafka Fragments (ROH), Max in Knussen’s Where the Wild Things Are and Rhoda in Higglety, Pigglety, Pop, which toured from the Aldeburgh Festival, via The Los Angeles Philharmonic and a further debut under Gustavo Dudamel, to the Barbican’s own 60th birthday celebrations for the composer.
Claire’s most recent CD release features diverse works by Ryan Wigglesworth and the Hallé Orchestra, including his Augenlieder of which she sang the world premiere. Others recordings include Lucia in Britten’s Rape of Lucretia (EMI), Jonathan Harvey’s Wagner Dream, John Eccles’ The Judgement of Paris and works by Oliver Knussen, Jonathan Dove and Charlotte Bray.
Upcoming highlights include concerts in Tokyo and Stockholm, a return to the Wigmore Hall with the Nash Ensemble to perform works by Berg and Schonberg, concert performances with the Early Opera Company at Spitalfields Festival and Wigmore Hall and a further return to the Aldeburgh Festival with the BCMG and Oliver Knussen. Her debut solo disc of Grainger folk music, with pianist Christopher Glynn is set for release in Spring 2017 through the Avie Label.
Artist website: www.claire-booth.com
Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to ensure that you receive the most up to date version.
Email: Caroline Slade