Joanne Lunn

Joanne Lunn

SOPRANO
"a voice like spun gold, and a face full of conviction"

Financial Times


Representation: General Management

Overview

Joanne is one of Britain’s leading Baroque sopranos in great demand throughout Europe. Her continued relationship with Bach Collegium Japan (Masaaki Suzuki) takes her to Japan and further afield regularly for both concert tours and recordings. Joanne also appears and records regularly with the Dunedin Consort (John Butt) as well as with Concerto Copenhagen, Tafelmusik (Toronto), Cappella Amsterdam, Ensemble Pygmalion and Knabenchor, Hannover. Joanne has also appeared regularly in concert in Moscow as well as with Melbourne Symphony Orchestra.

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Full Biography

Joanne Lunn studied at the Royal College of Music in London, where she was awarded the prestigious Tagore Gold Medal.

Joanne’s operatic engagements have included her ENO debut in Steven Pimlott’s production of Monteverdi’s L’Incoronazione di Poppea conducted by Harry Christophers, the role of Helena in Britten’s A Midsummer Night’s Dream in Venice conducted by Sir John Eliot Gardiner and directed by David Pountney, a tour of Purcell’s Dido and Aeneas in Spain and semi staged productions of Monteverdi’s Orfeo in Paris and for the Beijing International Music Festival (directed by Sir Jonathan Miller).

In concert, Joanne has performed in Bach’s St Matthew Passion with the Orchestra of the Age of Enlightenment conducted by Sir Roger Norrington, with the Rotterdam Philharmonic Orchestra and with the LSO at the Barbican Hall. She has appeared as soloist in Messiah in the Halle Handel Festival, at St. Mark’s Venice, and with Bach Collegium Japan (Suzuki) and with the Mozarteum Orchester in Salzburg, as well as in Handel’s L’Allegro and Haydn’s Heiligmesse, Harmoniemesse and Paukenmesse with the Monteverdi Choir and Sir John Eliot Gardiner. Her busy concert schedule has also featured Bach’s Magnificat at the BBC Proms with the Academy of Ancient Music, and with Bach Collegium Japan, Rutter’s Requiem with the Royal Liverpool Philharmonic Orchestra conducted by the composer, Haydn’s The Seasons with the Huddersfield Choral Society, Fauré’s Requiem in Toulouse directed by Marc Minkowski, Bach Mass in B Minor with Bach Collegium Japan conducted by Masaaki Suzuki, with the Academy of Ancient Music in Alzenau and with Les Musiciens du Louvre and Minkowski, for the Akademie der alte Musik, and at the Sage, Gateshead. She has appeared in Mozart’s Mass in C Minor for the City of London Sinfonia and Melbourne Symphony Orchestra, Mozart Requiem in Moscow and at the Mariinsky Concert Hall, St Petersburg, Purcell’s The Blessed Virgin’s Expostulation and The Fairy Queen in Salzburg, Easter Oratorio with the BBC National Orchestra and Chorus of Wales under Nicholas Kraemer, Nelson Mass for the Ulster Orchestra, Rutter Mass of the Children at St Paul’s Cathedral and at Symphony Hall, Birmingham, Harmoniemesse for Scottish Chamber Orchestra, L’Allegro, Il Penseroso ed il Moderato at the Handel Festival in Göttingen, The Creation at Cadogan Hall and Zelenka’s Missa Votiva for Musik Podium Stuttgart, Mozart Exsultate Jubilate, Mahler 4th Symphony at the Tchaikovsky Concert Hall, Moscow. Further concert performances have ranged from Saul with Cappella Amsterdam and with the Estonian Philharmonic Chamber Choir, to the first performances of J.C Bach’s Mailänder Vesperpsalmen with Concerto Köln at the Frauenkirche, Dresden, Bach Cantatas with Le Concert Lorrain, Belinda Dido & Aeneas in Warsaw, Israel in Egypt with Düsseldorfer Symphoniker, St John Passion with Les Musiciens du Louvre (Minkowski) and Graun’s Der Tod Jesu with Collegium Vocale. She also appeared at the Niedersächsische Musiktage with Bach Collegium Japan in programmes of Bach Cantatas, and also in Christmas Oratorio at the Tonhalle, Zürich (Suzuki), concerts with Bachakademie Stuttgart and Tafelmusik (Toronto), a tour of L’Allegro, Il Penseroso ed il Moderato with Rudolf Lutz, Bach Cantatas with Ensemble Pygmalion (Raphaël Pichon), a US tour with Bach Collegium Japan, Messiah with Tafelmusik (Toronto), Israel in Egypt and St John Passion with Concerto Copenhagen.

Joanne features as a soloist on many CD recordings.  Her discography includes Vivaldi’s Laudate Pueri with The King’s Consort (Hyperion), Haydn Masses with Sir John Eliot Gardiner and the Monteverdi Choir (Philips), John Rutter’s Mass of the Children with the City of London Sinfonia conducted by the composer (Collegium), Sir John Eliot Gardiner’s Bach Cantatas cycle recorded during the Bach Pilgrimage in 2000 (Deutsche Grammophon/Soli Deo Gloria), Bach’s Easter Oratorio with Frieder Bernius and the Stuttgart Kammerchor (Carus), Bach Motets with The Hilliard Ensemble (ECM), Messiah with the RPO and John Rutter, Bach Wedding Cantata BWV 202 with Bach Collegium Japan (BIS), and Bach St John Passion with the Dunedin Consort (Linn), which was nominated for a Gramophone award.

Engagements in 2016/2017 include Dafne Apollo e Dafne with Concerto Copenhagen at the Copenhagen Opera Festival, Monteverdi Vespers with the Dunedin Consort. Bach Secular Cantatas and Mass in B Minor with Bach Collegium Japan, Messiah with the Hallé Orchestra and also with Bournemouth Symphony, a European tour of Brockes Passion with Ensemble Pygmalion, Mozart Mass in C Minor with Tafelmusik in Toronto and appearances in concert at the Vienna Konzerthaus and Bachfest Leipzig.

Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to ensure that you receive the most up to date version.
Email: Aisling O’Carroll

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News

European Tour

April 1st, 2016

Bach Collegium Japan embark on 12 date concert tour

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Matthew Halls opens the 2015 Oregon Bach Festival

June 25th, 2015

The Artistic Director makes the journey from Creation to Resurrection.

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‘Tis the Season: A Festive Tour for Joanne Lunn and James Gilchrist

December 10th, 2014

Hazard Chase Singers join the Windsbacher Knabenchor for Bach’s Christmas Oratorio

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Reviews

Handel MESSIAH – St John’s Smith Square

“Joanne Lunn, a ravishing soprano. Hers is a voice like spun gold, and a face full of conviction, perfect for the hushed wonder of a line such as “I know that my Redeemer liveth”. She wholeheartedly embraced every word.”
The Financial Times, Hannah Nepil (May’16)

Bach Cantatas & Magnificat – Bach Collegium Japan European Tour (Saffron Hall)

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Discography & Repertoire

J.S. Bach – MASS IN B MINOR

Concerto Copenhagen conducted by Lars Ulrik Mortensen in the Mass in B Minor BWV 232

CPO (2016)

J.S. Bach – BIRTHDAY CANTATAS

Bach Collegium Japan with Masaaki Suzuki perform BWV 213 & 214 with Joanne Lunn (soprano), Robin Blaze (counter-tenor), Makoto Sakurada (tenor) and Dominik Wörner (bass)

BIS (2015)

J.S. Bach – MAGNIFICAT

The Dunedin Consort’s latest CD of the Magnificat in E flat – also includes the Christmas Cantata 63

LINN RECORDS (2015)

Artist Manager

John McHugh (Cambridge)
john.mchugh@hazardchase.co.uk
01223 706024

Assistant Artist Manager

Aisling O’Carroll (Cambridge)
aisling.ocarroll@hazardchase.co.uk
01223 706026