Mark Le Brocq

Mark Le Brocq


Representation: General Management


Tenor Mark Le Brocq is in demand for his intelligent musicianship, his stagecraft, and the ability to sing some of the most demanding roles in the operatic repertoire.  He has received critical acclaim for Aron (Moses und Aron), Mephistopheles (Doktor Faust), Pierre (War & Peace) and Siegmund (Die Walkure) amongst others.  He has appeared in opera houses across Europe and is equally at home on the concert platform, where his extensive repertoire ranges from Bach to Britten.


Full Biography

Mark Le Brocq held a choral scholarship at St. Catharine’s College, Cambridge where he read English.  He studied at the Royal Academy of Music with Kenneth Bowen and later continued at the National Opera Studio where he was sponsored by The Friends of English National Opera.  Upon completing his studies, Mark became a Company Principal with ENO. Roles at ENO included Tamino The Magic Flute; Paris King Priam; Count Almaviva The Barber of Seville; Narraboth Salome; Cassio Otello; Don Ottavio Don Giovanni; Don Basilio The Marriage of Figaro and world premieres including Doctor Maxwell The Silver Tassie and David Sawer’s Morning to Midnight.

Mark’s opera roles include Sergeant Snell in the world premiere of Iain Bell’s In Parenthesis and his one-man chamber opera A Christmas Carol¸ Painter/Client Lulu in Cardiff and Teatro Comunale Bolzano, Aron Moses und Aron, Le Medecin Fall of the House of Usher, all for WNO.  He has appeared at the Royal Opera House, Covent Garden, in Kurt Weill’s Seven Deadly Sins for the Royal Ballet, as Smee Peter Pan with the Royal Opera and in Errollyn Wallen’s Yes at the Linbury Studio.  His many roles with Opera North include Bob Boles Peter Grimes, Shapkin From the House of the Dead, Vitek The Makropulos Case (also at Edinburgh International Festival), and appearances in The Portrait and Cautionary Tales!  Further engagements include Governor in Hartmann’s Simplicius Simplicissimus for Independent Opera, General Sir Philip Wingrave Owen Wingrave for Opéra National de Lorraine, Nancy, and the title role in Šimon Voseček’s Biedermann and the Arsonists for Independent Opera (UK premiere).  Engagements in Wagner repertory include Loge Das Rheingold for Longborough Festival, for which Mark won outstanding reviews, and Froh Das Rheingold, Steersman Der fliegende Holländer and his role debut as Siegmund Die Walküre for Opera North.

On the concert platform Mark has appeared as a soloist worldwide.  UK Performances include Berlioz Grande Messe des Morts in St Paul’s Cathedral; Christmas Oratorio at Cadogan Hall; Beethoven Missa Solemnis at the Three Choirs Festival; St Matthew Passion with the Academy of Ancient Music; St Nicholas with the Chorus and Orchestra of Opera North; Serenade for Tenor, Horn and Strings for Rambert; Orff’s Carmina Burana (Ulster Orchestra, RLPO and at the Royal Albert Hall) and  Elgar’s Dream of Gerontius.  Mark has appeared with the BBC Symphony Orchestra in Schubert’s Mass in E Flat and Goldschmidt’s Mediterranean Songs, and has performed Mozart Requiem and Handel Dixit Dominus at the BBC Proms.  Further afield, he has performed B Minor Mass with the Israel Camerata; Schoenberg’s A Survivor from Warsaw and Janáček’s The Eternal Gospel with Orquestra Sinfónica do Porto Casa da Música in Portugal; and Janáček The Diary of One Who Disappeared at Nuremberg International Festival.

Mark’s fast-growing discography includes Messiah (Northern Sinfonia/Jane Glover)Valete in Pace (Britten Sinfonia/Andrew Parrott);  Young Sailor Tristan und Isolde (BBC Symphony/Donald Runnicles);  Pang Turandot and Remendado Carmen for Chandos;  Samson, Saul and Judas Maccabeus in live recordings from the Maulbronn Festival;  Purcell Hail Bright Cecilia with the Gabrieli Consort/Paul McCreesh for DG;  a collection of anthems by Handel, Blow and Boyce with the Choir of St Paul’s Cathedral/John Scott for Hyperion, and Offenbach Vert-Vert for Opera Rara.

Mark’s recent engagements include his house debut at the Semperoper Dresden in the role of Mephistopheles Doktor Faust, a performance as Howard Boucher Dead Man Walking at the Barbican Centre with the BBC Symphony Orchestra and Mark Wiggleworth, and a return to WNO to sing Vasily Golitsyn Khovanshchina, Filka Morozov From the House of the Dead and Bassanio in Keith Warner’s new production of André Tchaikowsky’s rediscovered The Merchant of Venice, which was later reprised at the Royal Opera House as part of WNO’s London Residency with Covent Garden. On the concert platform he sang Elgar’s Dream of Gerontius with the RTÉ National Symphony Orchestra in Dublin, Mahler’s Das Lied von der Erde with Orquesta de Extremadura, and a centenary tribute concert to Hubert Parry at the Three Choirs Festival, Hereford with the Philharmonia Orchestra.

This season Mark sings Pierre in Welsh National Opera’s upcoming production of War & Peace, Prokofiev’s operatic adaptation of Tolstoy’s famed epic. He will also sing Harry King in Anthropocene, a new work by Scottish composer Stuart Macrae, Loge Das Rheingold for Longborough Opera Festival, and will return to David Pountney’s production of From the House of the Dead with WNO at the Janáček Brno Festival, Czech Republic. On the concert platform Mark joins the BBC Symphony Orchestra to sing Sylvester in Mark-Anthony Turnage’s The Silver Tassie at the Barbican Centre, and Beethoven 9 for a performance in Dubai, as well as Dvořák’s Stabat Mater with the Orquestra Sinfónica do Porto Casa da Música, Porto.

Artist Website:

Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to make sure you receive the most up to date version.
Email: Tom Wood



From the House of the Dead

November 27th, 2018

Hazard Chase artists repeat their roles at this year’s Brno Festival

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WW1 Centenary

November 8th, 2018

Claire Booth and Mark Le Brocq perform Turnage’s pacifist opera ‘The Silver Tassie’ to mark Armistice Day

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Tolstoy’s epic at Welsh National Opera

September 7th, 2018

Hazard Chase artists take major roles in War & Peace

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Three Choirs Festival: Hereford 2018

July 24th, 2018

Hazard Chase artists appearing at this year’s festival

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Il Prigioniero in Dresden

June 29th, 2018

Mark le Brocq returns to the Semperoper

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Prokofiev – WAR & PEACE (Welsh National Opera)

“The most satisfying figure, in part because his frequent presence gives us a chance to know him, in part because Mark Le Brocq portrayed him outstandingly, is that of Pierre Bezukhov, rich, socially awkward; a man without purpose yet idealistic, sensitive and questing.”
Fiona Maddocks, The Guardian (September 2018)

“Pierre Bezhukov, wonderfully portrayed by tenor Mark Le Brocq”
Rian Evas, The Guardian (September 2018)

“Aficionados of the novel can rest assured: Pierre’s pivotal journey is depicted with a psychological fervour that commands the drama and gives the excellent Mark Le Brocq a role to savour. The imposing tenor gives a terrific performance”
Mark Valencia, WhatsonStage, (September 2018)

“Of the chief protagonists, Jonathan McGovern (Andrei), Lauren Michelle (Natasha) and Mark Le Brocq (Pierre) were all excellent, but it was the latter’s thoughtfully bookish personality which was the most engaging. His role is small in the first half, but his earnest rage at Anatole showed off his richly coloured voice across a very wide range, and his self-discovery in Act 2 was very convincingly pulled off.”
Rohan Shotton, Bachtrack, (September 2018)

“Among the leads, Le Brocq, Dwyer and the Natasha, fresh-voiced American soprano Lauren, are outstanding”
Stephen Walsh, The Arts Desk (September 2018)


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Mussorgsky – KHOVANSHCHINA, Welsh National Opera

“On a stage packed with riveting characterisations and eye-catching cameos, Robert Hayward’s ruthless Khovansky is immense, Mark Le Brocq is excellent as the weaselly Golitsyn, and Simon Bailey musters huge emotions in Shaklovity’s anguished lament for Russia’s woes.”
The Times. Richard Morrison (26 Sept’17)


Janacek – FROM THE HOUSE OF THE DEAD (Welsh National Opera)

“But every singer here pushes themselves to the utmost in portrayals of great force, notably Alan Oke’s Skuratov, Mark Le Brocq’s Luka Kuzmich and Simon Bailey’s Shishkov”
The Guardian, Rian Evans (9 Oct ’17)


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Elgar DREAM OF GERONTIUS (RTE National Symphony Orchestra)

“Tenor Mark Le Brocq stood out among the impressive trio of soloists. Possessing a tight vibrato, pellucid diction and a consistently warm sounding voice, he convincingly portrayed the gamut of emotion of Gerontius. In particular, Le Brocq conveyed the loneliness and sorrow of impending death in Sanctus fortis brilliantly, his passionate pleas to pray for his eternal repose being highly charged.”
Bachtrack, Andrew Larkin (May 2017)


“Mark Le Brocq a sweet tenor Bassanio”
Rupert Christiansen, The Telegraph (Sept 2016)

Wagner – Die Walküre (Opera North)

“The principal singers gave their all. Mark le Brocq (Siegmund) and Lee Bisset (Sieglinde) transmitted white-hot passion both in their incestuous love for each other and in their defiance of the gods.”
William Ruff, Nottingham Post (June 2016)

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Bell A CHRISTMAS CAROL (Welsh National Opera)

“Credited simply as Narrator, Le Brocq deserved to have had all the roles he portrayed listed individually: he characterized each one – over 20 in all – with much care.  Words always crystal-clear, he realized an extraordinary diversity of accents and voices, male, female, young and old, in a rich variety of colours.  Apart from anything else it was a feat of endurance”
Rian Evans, Opera Magazine (February 2016)

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“Mark Le Brocq perfectly captures the ineffectual Biedermann and, remarkably, never tires in vocal writing which continues to ascend as the character loses his grip on reality.”
Edward Bhesania, The Stage (November 2015)

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Discography & Repertoire

Handel – MESSIAH

With Mark Le Brocq (tenor), Elizabeth Watts (soprano), James Oldfield (bass) and Catherine Wyn-Rogers (alto) with Huddersfield Choral Society and Northern Sinfonia conducted by Jane Glover.


Offenbach – VERT-VERT

With Mark Le Brocq (Binet), Toby Spence (Valentin), Bathilde (Lucy Crowe), Mark Stone (Le Comte) and Anne-Marie Owens (Madamoiselle Paturelle). David Parry conducts the Philharmonia Orchestra.



With Mark Le Brocq (tenor), Catherine King (soprano), Charles Humphries (counter-tenor) and Christopher Purves (baritone).  Jürgen Budday conducts the Maulbronner Kammerchor.


Artist Manager

Sue Nicholls (Cambridge)
01223 706023

Associate Artist Manager

Tom Wood (Cambridge)
01223 706416