“Peter Hoare gives a quite chillingly brilliant performance as the dog-man” [A Dog's Heart]
Representation: General Management
Tenor Peter Hoare is renowned for his versatility and his musicianship. Much admired by conductors and directors the world over, his extensive repertoire encompasses everything from the more mainstream repertoire to Desportes in Die Soldaten, Larry King in Anna Nicole and Sharikov in The Dog’s Heart. He has worked with many eminent conductors including Sir Simon Rattle and Esa Pekka Salonen and can be seen regularly at both Covent Garden and English National Opera, as well as houses across Europe and the US.
Peter Hoare was born in Bradford and initially trained as a percussionist, before making his debut as a singer at Welsh National Opera where his many roles have included Herod Salome and Mal in the world premiere of James MacMillan’s The Sacrifice. Renowned for his versatility and musicianship, Peter is much admired by conductors and directors the world over. His extensive repertoire encompasses everything from the more mainstream repertoire to B.A. Zimmerman’s Die Soldaten, Mark-Anthony Turnage’s Anna Nicole and Alexander Raskatov’s The Dog’s Heart. He has worked with many eminent conductors including Sir Simon Rattle and Esa Pekka Salonen and can be seen regularly at both Covent Garden and English National Opera, as well as houses across Europe and the US.
Recent UK appearances have included Faust The Damnation of Faust and Hermann Queen of Spades (English National Opera); Alwa Lulu (Welsh National Opera); Dr Cajus Falstaff, Larry King Anna Nicole, Fatty Rise and Fall of the City of Mahagonny (Royal Opera House). International performances include Creon Thebans at Theater Bonn in a co-production with ENO; Schapkin From the House of the Dead (Berlin Staatsoper); Captain Wozzeck (Metropolitan Opera, New York); SharikovA Dog’s Heart (Opéra de Lyon, Teatro alla Scala, ENO); Desportes Die Soldaten in Calixto Bieito’s production for Opernhaus Zürich and in David Pountney’s production at the Ruhr Triennale, the New National Theatre, Tokyo and at the Lincoln Centre in New York.
On the concert platform Peter has sung Das Lied von der Erde (Royal Concertgebouw Orchestra / Daniel Harding; Royal Flemish Philharmonic / Daniele Callegari); Tippett’s A Child of our Time (Royal Liverpool Philharmonic Orchestra / Gerard Schwarz); Berlioz Romeo et Juliette (Berlin Philharmonic Orchestra / Sir Simon Rattle); Janacek’s The Diary of One who Disappeared and Elliot Carter’s In sleep in thunder with Contrechamps in Geneva and at the Queen Elizabeth Hall in London; Britten’s Serenade for Tenor, Horn and Strings (Bournemouth Symphony Orchestra; Bochumer Symphoniker); Verdi Requiem(RLPO); La Damnation de Faust and Beethoven Symphony No 9 (RTÉ National Symphony Orchestra); Elgar’s Spirit of England at the Three Choirs Festival; Mahler’s 8thSymphony (Hallé; BBC Philharmonic Orchestra / Sir Mark Elder) and Il Prigioniero (Philharmonia Orchestra / Esa Pekka Salonen).
Peter has recorded Delius’ Song of the High Hills and Master of Ceremonies in Britten’s Gloriana conducted by Sir Charles Mackerras for Decca Records; Tichon Kat’a Kabanováwith Carlo Rizzi, and Bardolfo Falstaffwith Sir Colin Davis for Chandos; and Leonard Meryll Yeomen of the Guardwith Sir Charles Mackerras and the Orchestra of Welsh National Opera for the Telarc label.
2015/16 season highlights included appearances as Witch Hänsel undGretel (De Nationale Opera, Amsterdam), Zinovy Lady Macbeth of Mtsensk and Laca Jenufa (ENO), Normanno Lucia di Lammermoor (ROH) and Lady Macbeth of Mtsensk (Opéra de Lyon).
Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to ensure that you receive the most up to date version. Email: Caroline Challis