Stephanie studied at the Royal Welsh College of Music & Drama and at the National Opera Studio and has since appeared in major roles with both Scottish Opera, Opera North, Glyndebourne Festival, Buxton Festival, Opera Holland Park and regular appearances with Birmingham Opera (Graham Vick). Foreign engagements have included principle roles at the Nederlandse Reisopera and at Teatro Massimo di Palermo. Stephanie also maintains a busy concert diary throughout the UK in repertoire encompassing Britten, Verdi, Mozart, Vaughan Williams and Rossini.
Stephanie Corley studied at the Royal Welsh College of Music and Drama and the National Opera Studio supported by a Maidment Scholarship from the Musicians’ Benevolent Fund, the Anne Wood/Johanna Peters award from Glyndebourne, a Chilcott Scholarship, the Kathleen Trust, John Wates and the Nichol-Young Foundation. In 2008 she received a Philip & Dorothy Green Award for young concert artists and now continues her studies with John Evans.
Operatic roles include the title role in The Merry Widow, Kristina in The Makropulos Case and Marguerite (cover) in Faust for Opera North, the title role in Madama Butterfly for Mid Wales Opera, Musetta La Bohème for the National Reisopera (The Netherlands), Hannah Glawari, Musetta and Mimi (cover) for Scottish Opera, Contessa Almaviva Le Nozze di Figaro, Donna Elvira Don Giovanni and First Lady Die Zauberflöte for Longborough Festival Opera, Desdemona Otello for Graham Vick’s Birmingham Opera Company and Dorset Opera, Fiordiligi Cosi fan Tutte for Diva Opera and Opera by Definition, Ines Il Trovatore for Opera Holland Park, Contessa Almaviva Le Nozze di Figaro for Iford Opera, Mimì La Boheme for I Maestri, Ginevra Ariodante for the Cambridge Handel Opera Group, Freia Das Rheingold in Palermo with Graham Vick, Mabel The Pirates of Penzance for Scottish Opera, Arminda La finta giardiniera at Buxton Festival and performances of Pamina Die Zauberflöte and Marzelline Fidelio for Glyndebourne Festival whilst covering. She has covered the roles of Fiordiligi (GTO) and Aminta Il Re Pastore for Garsington Festival, sung multiple roles in contemporary opera company Tête-à-Tête’s new work, Blind Date and sung Lady-in-Waiting Macbeth and Inez La Favorita for Chelsea Opera Group.
She has appeared in concert at the Royal Albert Hall, the 02 centre, St. John’s Smith Square, Glasgow Royal Concert Hall, Barbican Centre, Snape Maltings, St David’s and Fairfield Halls, Birmingham Symphony Hall, The Sage, Bridgewater Hall, Cadogan Hall and the Queen Elizabeth Hall. Recent concert highlights have included a Radio 3 In Tune session featuring her solo recital at St John’s Smith Square, a concert and recording of the aria and cabaletta from The Rake’s Progress (Stravinsky) and Knoxville Summer of 1915 (Barber) with the Lugano Radio Orchestra (Switzerland), Vaughan Williams’ Sea Symphony at Snape Maltings, Britten’s Les Illuminations with the Birmingham Philharmonic Orchestra at the Adrian Boult Hall, Mahler 4 at St James Piccadilly, Mozart Mass in C minor and Rossini Stabat Mater for Hadleigh Choral Society, Viennese Galas with the Northern Sinfonia with Thomas Zehetmair and Jacek Kaspszyk and Verdi Requiem with Carlo Rizzi.
Recent engagements include Laoula in Chabrier’s L’Étoile for New Sussex Opera, Christmas Concerts at the Royal Albert Hall, Emma Khovanshchina for Birmingham Opera Company, The Lottery with Bury Court Opera, a Spring Proms Concert at the Royal Festival Hall and Antonia Les Contes d’Hoffmann for Diva Opera. Engagements in 2014/2015 include further performances of Hoffmann, title role Madama Butterfly for Opera Project in Bristol, title role Ines de Castro for Scottish Opera and Gayle The Ice Break for Birmingham Opera Company, whereas concert engagements include Verdi Requiem (De Montfort Hall), a recital for the St Andrews Voices Festival and Elgar Spirit of England and Vaughan Williams Dona Nobis Pacem (Nottingham). Subsequent engagements include Woglinde/3rd Norn Götterdämmerung for Teatro Massimo, Palermo and a performance of Elgar’s Elijah.
Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to make sure you receive the most up to date version.
Email: Mark Williams