"Hambleton is one of the most striking voices of his generation"
Representation: General Management
British bass-baritone Tristan Hambleton is a recent graduate of the Royal Academy of Music, London where he was awarded the inaugural ABRSM scholarship, a Countess of Munster Trust Scholarship and the D’Oyly Carte Trust Award. To date Tristan has performed with companies such as Glyndebourne, the OAE, the Hallé, and the London Mozart Players in major venues throughout the UK and further afield.
SBorn in London, Tristan Hambleton studied at St John’s College, Cambridge, Heidelberg Universität and then at the Royal Academy of Music, London. During his time at RAM, he was awarded the inaugural ABRSM scholarship, a Countess of Munster Trust Scholarship and the D’Oyly Carte Trust Scholarship. Tristan is a Josephine Baker Trust Artist, a Jackdaws Young Artist, and was also a Samling Artist.
After graduating from the RAM Opera School in 2015, Tristan went on to make his professional debut portraying the role of Karl in the world premiere of David Bruce’s Nothing, a Glyndebourne community opera in association with the Royal Opera House, Covent Garden and Balthazar in Donizetti’s La Favorite for University College Opera at London’s Theatre Royal.
As a keen recitalist and concert performer, Tristan has performed with notable ensembles including the Orchestra of the Age of Enlightenment, the Hallé and the London Mozart Players in venues such as Wigmore Hall, Cadogan Hall, Saint Martin in the Fields, St John’s Smith Square, Birmingham Symphony Hall and the Concertgebouw, Amsterdam. In Wagner’s bicentenary year, Tristan was invited by Sir Mark Elder to sing the role of Hermann Ortel in the Hallé’s concert performance of Die Meistersinger von Nürnberg and was subsequently invited back for Mozart’s Requiem at Bridgewater Hall. His oratorio repertoire also includes Haydn’s Nelson Mass, Paukenmesse, Theresienmesse, Missa Cellensis and Salve Regina, Mozart’s Credo Mass, Coronation Mass, Missa Brevis, and Vesperae Solennes de Confessore, Beethoven’s Mass in C, and Symphony No. 9 as well as Brahms’ Ein Deutsches Requiem and Faure’s Requiem.
On the operatic stage Tristan’s repertoire includes Re di Scozia in Ariodante, Achilla in Giulio Cesare, Somnus in Semele, the title role in Le Nozze di Figaro, Guglielmo and Don Alfonso in Cosi fan tutte, Masetto and Leporello in Don Giovanni, Publio in La Clemenza di Tito, Nick Shadow and Dr. Truelove in The Rake’s Progress, Superintendent Budd in Albert Herring, Bottom in Britten’s A Midsummer Night’s Dream, and Marullo in Verdi’s Rigoletto for Nevill Holt Opera.
Recent engagements included Sergeant in Hartmann’s Simplicius Simplicissimus with Independent Opera at Sadler’s Wells and Messiah on tour with the Irish Baroque Orchestra. This season sees Tristan cover the roles of Colline in La Boheme and The Bonze in Madama Butterfly with the WNO, a return to Nevill Holt to sing Angelotti in Tosca, Escamillo in a concert performance of Carmen with Tonbridge Philharmonic Society, a performance of Theresienmesse in his debut with the Royal Philharmonic Orchestra and Mozart Requiem with Tonbridge Philharmonic Society.