Handel MESSIAH – Opéra National de Bordeaux

‘Finally, there is Tristan Hambleton, who impresses with his physical and vocal presence: the picture he draws of the Last Judgment – with the air “The trumpet shall sound” – thrills the audience.’
Emmanuel Andrieu, Opera Online (October 2017)

Puccini TOSCA – Nevill Holt Opera

“A young, clean-shaven bass, Tristan Hambleton, doubled impressively [as Angelotti and Sciarrone]“
Hugh Canning, Opera Magazine (August 2017)

Hartmann SIMPLICIUS SIMPLICISSIMUS – Independent Opera

‘Stephanie Corley is supported by a fine ensemble of singers […] Tristan Hambleton’s Sergent notable among them’
The Independent, Alexandra Coghlan (Dec’16)

Verdi RIGOLETTO – Nevill Holt Opera

‘Tristan Hambleton’s Marullo […] lent this production much of its unrelenting energy
Opera Magazine, Roderic Dunnett (Sept’16)

Donizetti – LA FAVORITE
“The classiest voice of the bunch is Tristan Hambleton as Balthazar”
The Times, Neil Fisher

“Tristan Hambleton struck a formidable figure as Balthazar, filling his pronouncements with portent.”
Opera Magazine, Yehuda Shapiro

“Tristan Hambleton’s King of Scotland was commandeering and crisply voiced”
Opera Magazine