Anna Stéphany

Anna Stéphany


Representation: General Management

Photo: Marco Borggreve


Anna Stéphany is firmly established as one of the world’s most exciting mezzo-sopranos. A member of the ensemble at Opernhaus Zürich for three years, Anna excels in a variety of roles from Octavian in Der Rosenkavalier to Charlotte in Werther and has sung many of Handel’s iconic mezzo roles.  She appears regularly with major symphony orchestras and conductors such as Sir Simon Rattle,  Fabio Luisi, Edward Gardner and Robin Ticciati.  A sensitive recitalist,  Anna’s debut solo recording, Black is the Colour, was released in 2018 on Alpha Classics.


Full Biography

Anglo-French mezzo-soprano Anna Stéphany has been praised for her stage-craft and “a superb, glowing, impassioned” voice. Anna was born in the North East of England and studied at the Guildhall School of Music, where she was a recipient of the Gold Medal, and the National Opera Studio. She represented England at the BBC Cardiff Singer of the World and is a Kathleen Ferrier Award winner.

Anna was a member of the ensemble at Opernhaus Zürich from 2012-15, where she made her debut as Cherubino in Mozart’s Le nozze di Figaro.  Further roles in Zürich include Dorabella in Cosi fan tutte, Siebel in Gounod’s Faust, Nicklausse in Offenbach’s Les contes d’Hoffmann and Minerva in Monteverdi’s Il Ritorno d’Ulisse in Patria. Her close relationship with the house has continued with Sesto in La Clemenza di Tito, a new production of Purcell’s King Arthur, Romeo I Capuleti e i Montecchi and Charlotte Werther.

One of her most coveted roles is Octavian in Strauss’s Der Rosenkavalier, which she sang at the Bolshoi Theatre, the Royal Swedish Opera, and made her house debut at the Royal Opera House, Covent Garden in the role. Most recently, she has been heard at Opernhaus Zürich as Idamante Idomeneo, Octavian Der Rosenkavalier and Hänsel Hänsel und Gretel, the Bayersiche Staatsoper as Dorabella Così fan Tutte and in a return to the Glyndebourne Festival for her debut as Sesto in David McVicar’s acclaimed production of Giulio Cesare.

Further appearances include Rosina in Rossini’s Il barbiere di Siviglia at Théâtre du Châtelet, Paris; Annio in Mozart’s La clemenza di Tito at Aix-en-Provence; Handel’s Theodora with Rias Kammerchor; the title role in Charpentier’s Médée at Chicago Opera Theatre and in 2013 she covered Joyce di Donato in La Donna del Lago at the Royal Opera House, Covent Garden. She made her debut at the Bayerische Staatsoper in Munich stepping in as Annio in La Clemenza di Tito and returned the following summer as La Musica and Speranza in Monteverdi’s L’Orfeo.  She made her debut at the Glyndebourne Festival as Sesto La Clemenza di Tito, which also formed part of the BBC Proms Festival 2017.

On the concert platform Anna has appeared with some of the world’s finest orchestras including performances of Rossini Stabat Mater and Beethoven Symphony 9 with the London Philharmonic Orchestra, Elijah with Orquesta y Coro Nacionales de España, Berlioz’s Les nuits d’été with the Royal Liverpool Philharmonic, Cesti’s Orontea with La Nuova Musica at Wigmore Hall, Elgar’s Sea Pictures with the Bremer Philharmoniker, St Matthew Passion with the Handel & Haydn Society/Harry Christophers, La damoiselle élue with the Philharmonia Orchestra/Esa-Pekka Salonen, and a programme of Handel in New York, London and Paris with the Orchestra of the Age of Enlightenment/William Christie in a tribute to Lorraine Hunt Lieberson.   She made two appearances at the 2018 BBC Proms season, La damoiselle élue with the Hallé Orchestra and Sir Mark Elder, and L’enfant et les Sortileges with the London Symphony Orchestra and Sir Simon Rattle. Last season Anna joined the Orchestre de Chambre de Paris for L’enfance du Christ, the Deutsches Symphonie Orchester Berlin for Le Martyre de St Sebastian and Orchestra XXI for Berlioz Roméo et Juliette.  Anna gave recitals at the Lammermuir Festival and in Zürich with the pianist Sholto Kynoch.

Anna’s debut solo recording Black is the Colour with the Labyrinth Ensemble was released in 2018 on Alpha Classics.  Featuring works by Luciano Berio, Falla and Ravel, the disc won critical acclaim.   Other recordings include the title role in Handel’s Serse with Christian Curnyn and the Early Opera Company for Hyperion.   Anna also appears alongside Juan Diego Florez as Charlotte in a DVD of Opernhaus Zürich’s Werther and as Sesto in Glyndebourne’s recent DVD release of La Clemenza di Tito from the 2017 festival.

Anna starts the 2019/20 season with performances of Mendelssohn’s Elijah, with Masaaki Suzuki and the Orchestra of the Age of Enlightenment, followed by Mozart’s Requiem with Mozarteum Salzburg, a concert performance of Theodora with Arcangelo and Jonathan Cohen and a tour of Beethoven 9 with the London Symphony Orchestra and Sir Simon Rattle.  In summer 2020 Anna returns to Glyndebourne as Ruggiero in Alcina.

Promoters please note: if you wish to include this biography in a concert programme etc, please contact Hazard Chase to ensure that you receive the most up to date version.

Email: Evie Parker



Christmas with Hazard Chase

December 2nd, 2019

Festive concerts throughout the Christmas season

Read More

Stéphany sings Octavian in Zürich

February 11th, 2019

Mezzo returns for Der Rosenkavalier.

Read More

‘Tis the Season

November 26th, 2018

HC artists’ concert performances this festive period

Read More

Anna Stéphany debuts Hansel

November 14th, 2018

Mezzo soprano returns to Zürich for new production

Read More

Summer Opera 2018

May 31st, 2018

Hazard Chase artists in the 2018 summer opera festival season

Read More


Mendelssohn ELIJAH (Orchestra of the Age of Enlightenment)

‘Anna Stéphany made a dignified and warm Angel in Part One, shaping her phrases with great care and poise, and her arioso ‘Woe unto them’ was understated yet very moving.’
Robert Hugill, Planet Hugill (October 2019)

‘Anna Stéphany’s Angel impressed with warmth and feeling;’
Amanda-Jane Doran, Classical Source (October 2019)


Read More

Handel GIULIO CESARE (Glyndebourne Festival)

‘Anna Stéphany’s exquisitely poised account of Sesto’s “Cara speme” […] the evening’s vocal highlight.’
Rupert Christiansen, the Telegraph (June 2018)

‘Anna Stephany presented Cornelia’s hot-headed son Sesto with dramatic authority and complete vocal command.’
The Stage, George Hall (June 2018)

‘Patricia Bardon’s Cornelia is a grandly tragic creation, while Anna Stéphany’s Sesto has a flame-like fury; the beauty of the solos and duets by these very contrasting mezzos makes time stand still.’
Michael Church, The Independant (June 2018)

‘Anna Stéphany was vocally superb and dramatically convincing as the revenge-seeking son Sesto’
Sebastian Scotney, The Arts Desk (June 2018)

‘Her lithe mezzo projected well. “Cara speme” was heartbreaking, with sensitive ornamentation in the da capo.’
Mark Pullinger, Bachtrack (June 2018)


Read More

EINE SCHUMANNAIDE– Heidelberger Frühling with pianist Sholto Kynoch

‘Anna S. brought [the Schumann songs] to life with an open mezzo soprano which carried the words far and wide into the venue. Every vowel was exploited in its full breadth and with light colouring. She succeeded in gracefully forming the words, all imbedded in melodious lines and possessing a childlike sense of wonder… in further songs from “Myrten”, such as the Hochlaender-Witwe, every word sung she sang, in any register, could be clearly understood, so that even her literary interpretation became audible.’
Simon Scherer, Feuilleton (April 2018)


Read More

BLACK IS THE COLOUR (Labyrinth Ensemble, Alpha Classic CD)

‘Stéphany’s singing gives all colours, there is light and shade, and an intense spontaneity and presence. The passion and vocal strength of her singing has an true immediacy’.
Remy Franck, March 2018

‘showcasing the beguiling talents of Anglo-French mezzo-soprano Anna Stéphany, […] There is no doubt here that Stéphany’s is a highly trained voice […] Stéphany is utterly entrancing, savouring each syllable so that her characterisation of each song builds wonderfully form the text.’
BBC Music Magazine (April 2018)


Read More

Mozart LA CLEMENZA DI TITO – Glyndebourne Festival

“Anna Stéphany, replacing a pregnant Kate Lindsey, sang with searing Classical directness and refulgent tone, and in ‘Parto, parto’ she displayed sensational control. Her ‘masculine’ presence was complete too”
John Allison, Opera Magazine, (August 2017)

“But the evening’s undoubted star was Anna Stéphany – a  slender and youthful Sesto, touchingly full of angst and remorse, dispatching both his/her big arias with terrific élan and immaculate technical control.”
Rupert Christiansen, The Telegraph (27 July 2017)

“Stéphany trawls Sesto’s emotional and moral anguish with tragic intensity. Her technique is also formidable: Parto, Parto is simply breathtaking.”
Tim Ashley, The Guardian (27 July 2017)

“cross-dressed Stephany’s ravishingly-sung and vividly-characterised Sesto deservedly stole the show.”
Michael Church, The Independent (27 July 2017)

“The stars, however, are the women. Anna Stéphany is a revelation as Sesto. She looks terrific as a handsome boy, and her voice is lithe, clear and expressive.”
Richard Morrison, The Sunday Times (27 July 2017)

“Mezzo Anna Stéphany shines as Sesto, in anguish over the conflict between love and friendship.”
Clare Colvin, Sunday Express (6 Aug 2017)

“Stéphany proved the sensation of the night, singing with a thrilling edge and admirable dexterity.”
Stephan Pritchard, The Guardian (30 July 2017)

‘With Anna Stéphany as the protagonist, the drama of betrayed friendship takes a powerful turn.  A perfect Annio in Aix in 2011, Stéphany brings a technical freedom to the role of Sextus, an intimate colouring of tone,  all carefully and minutely detailed in her interpretation’
Jean-Philippe Grosperrin, Diapason [DVD review] (November 2018)

Read More

Discography & Repertoire

Ailish Tynan (soprano), Anna Stéphany (mezzo), Andrew Tortise (tenor), Owen Gilhooly (baritone) & Jonathan Lemalu (bass baritone). BBC Singers & BBC Symphony Orchestra, Martyn Brabbins

NMC (2014)

Handel – SERSE

With Anna Stephany (mezzo), Rosemary Joshua (soprano), David Daniels (counter-tenor) and Hilary Summers (contralto).  Christian Curnyn conducts the Early Opera Company

CHANDOS (2013)


With Anna Stephany (mezzo), Lucy Crowe (soprano) and Hilary Summers (contralto) with the Early Opera Company conducted by Christian Curnyn


Artist Manager

Sue Nicholls (Cambridge)
01223 706023

Associate Artist Manager

Evie Parker (Cambridge)
01223 706414