At 21 Caspar was invited to join the Opera Studio at Munich’s Bayerische Staatsoper, making his stage debut under Asher Fisch in 2018. In summer 2020 he opens the Munich Opera Festival as Castor in Rameau’s Castor et Pollux with Ivor Bolton. Elsewhere he has performed at the Gärtnerplatztheater, Garsington and Longborough festivals, and the Barbican Hall.
British – Indian Tenor Caspar Singh studied at the Guildhall School of Music and Drama under Adrian Thompson and Susan Waters. In 2017 he was a finalist in the Franz Schubert Institut Lieder prize competition.
Opera performances include Ferrando in Mozart’s Cosi fan tutte, L’Aumônier (cover) in Poulenc Dialogues des Carmélites, Tamino in Mozart The Magic Flute, Young Man (cover) in Martinů Ariane, and chorus Tchaikovsky Iolanta all at GSMD, Amphinomus (cover) in Monteverdi Il ritorno d’Ulisse in patria; a co-production between the Royal Opera and the Roundhouse conducted by Christian Curnyn, Man in Daniel Saleeb and Oge Nwosu’s chamber opera Occo’s Eternal Act (as part of the Victoria & Albert Museum’s Opera: Passion, Power and Politics exhibition), the Good Robber in Judith Weir’s The Vanishing Bridegroom with British Youth Opera, and chorus roles in Beethoven Fidelio at Longborough Festival Opera and in the UK premier of Jonathan Dove’s The Monster in the Maze at Barbican Hall with Sir Simon Rattle and the London Symphony Orchestra.
On the concert platform Caspar has performed Handel Messiah at the Welwyn Festival and with Ramsey Choral Society, Bruckner Te Deum at LSO St. Luke’s, Britten Saint Nicolas with Northwood Choral Society, Haydn Nelson Mass with Hertford Choral Society, Orff Carmina Burana with Ealing Symphony Orchestra, Stainer Crucifixion at All Saints’ Church Chalfont St Peter, Mozart Requiem with the City of London School, Dvořák Mass in D with Genesis Chorale and Bach Easter Oratorio with the Guildhall School Consort. A keen recitalist, his recent performances include Britten Winter Words and Seven Sonnets of Michelangelo, Schubert Die Schöne Mullerin, and In the Great Dawn, Thomas Bove’s setting of Rupert Brooke’s poem ‘Second Best’.
Caspar was an Alvarez Young Artist for Garsington Opera, where his engagements included Italian Tenor in Strauss Capriccio and chorus roles in Die Zauberflöte and Falstaff. He has sung in masterclasses with Helmut Deutsch, Brigitte Fassbaender, Graham Johnson and Margreet Honig, and has worked with conductors including Douglas Boyd, Asher Fisch, Kirill Petrenko and Joana Mallwitz.
Caspar is a member of the Bayerische Staatsoper’s Opera Studio, where his roles in the current season include Messenger Il Trovatore, Mainfroid Les Vêpres Siciliennes, Erster Gefangener Fidelio, Giuseppe La Traviata, Almeric Iolanta and Coryphaeus Alceste, alongside concerts and recitals with the Opera Studio and at the Munich Opera Festival. In 2019/20, his engagements with the Bayerische Staatsoper include Hans Abrahamsen’s The Snow Queen (the German première) in which he covers the role of the Prince, Scaramuccio Ariadne auf Naxos as part of the 2020 Hong Kong Arts Festival, Wilhelm Meister in a new production of Thomas’ Mignon, and his role debut as Castor in Rameau’s Castor et Pollux under the baton of Ivor Bolton.
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Handel MESSIAH – Staatstheater am Gärtnerplatz, Munich
“The highlight is Caspar Singh. The tenor jumped in at short notice for Alexandros Tsilogiannis (who walked his part on the stage). From the pit, his soft lyrical voice rises with ease, and his text delivered with certainty and clarity”.
Helmut Pitsch, Opera Online (October 2019)
“As a step-in for the indisposed Alexandros Tsilogiannis, Caspar Singh was brought from the opera studio at the Staatsoper. His astonishingly well-formed tenor, already well-developed beyond Baroque repertoire, demonstrates what a great catch the sister theater on Max-Joseph-Platz has snagged”
Markus Thiel, Münchner Merkur (October 2019)
“Tenor Alexandros Tsilogiannis has no voice so only acts his part. His voice is lent to him from the orchestra pit by Caspar Singh from the opera studio of the Bayerische Staatsoper “next door”. It’s a pity for Tsilogiannis, but as a viewer and listener I personally think the two mastered the difficult situation perfectly”
Andreas Schmidt, Klassik begeistert (October 2019)
“Archangel Uriel (Caspar Singh) let the sun gently ascend with a beautiful, velvety tenor voice, “In vollem Glanze steiget jetzt die Sonne strahlend au”.
Regina Wahl-Geiger Münchner Merkur (July 2019)
Richard Strauss CAPRICCIO – Garsington Opera
“The Italian singers, Nika Gorič (soprano) and Caspar Singh (tenor) relished the straight-faced parody of their bel canto divertissement, and offered a playful counterpart to the company’s philosophising”
Claire Seymour, Opera Today (June 2018)
“The Italian singers, in the persons of Nika Gorič and CasparSingh, gave perfect examples of their director’s favourite art.”